Unveiling Gender Dynamics: Identity, Marriage, Fidelity, and Female Agency in Girish Karnad’s Nagamandala
DOI:
https://doi.org/10.53032/tvcr/2025.v7n1.30Keywords:
Gender dynamics, Patriarchy, Sexual autonomy, Subversion of patriarchy, Transformation of identityAbstract
This research investigates the intricate portrayal of gender dynamics in Girish Karnad’s renowned play Nagamandala. It epitomizes the contemporary roles of women against a backdrop of myth, exploring themes of identity formation, marital relationships, fidelity, and female agency within rural South India. Interweaving folklore with modern social issues, the play presents a diverse cast whose struggles reflect broader societal tensions. Characters like Vishakha, Nittilai, Padmini, and Rani emerge as influential voices of modern women, navigating patriarchal dominance with courage and resilience. Despite societal norms enforcing gender segregation, they assert bold independence, confronting challenges within a stratified society. This study scrutinizes the protagonist Rani’s journey, revealing nuanced gender roles and power dynamics, thereby enhancing understanding of Karnad’s thematic exploration and narrative technique. Nagamandala portrays female characters as victims of pervasive patriarchal repression, offering poignant insights into human complexities.
References
Chakravartee, Moutushi, “Myth and Reality in Hayavadana and Nagamandala” in T. Mukharjee (ed.) Girish Karand’s Plays: Performance and Critical Perspective. Pencraft, 2008
Ghosh, Amrita. “Girish Karnad’s Nagamandala: A Feminist Reading,” International Journal of Creative Research Thoughts. (6.1), 2018.
Joshipura, Pranav, “Nagamandala Reconsidered” in J. Dodiya (ed.) The Plays of Girish Karnad. Prestige, 2009
Karnad, Girish. Collected Plays Vol.1. Oxford University Press, 2005.
Peyma, Nasser Dasht, Postcolonial Drama. A Comparative Study of Wole Soyinka, Derek Walcott and Girish Karnad. Rawat Publications, 2009.
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