Representation and Identity: A Postcolonial Comparative Study of Caryl Phillips’ Crossing the River and Chimamanda Ngozi Adichie’s Americanah

Authors

  • Deena Nath SRF (Research Scholar) Dept. of English and MELs, University of Lucknow, Lucknow, U.P., India
  • Prof. Deepak Kumar Singh Prof. & Head, Dept. of English D.A.V. (PG) College, affiliated to University of Lucknow, Lucknow, U.P., India

Keywords:

Diaspora, Hybridity, Migration, Racial Formation, Cultural Memory, Narrative Resistance

Abstract

This article is concerned with the representation and construction of identity in Caryl Phillips’ Crossing the River (1993) and Chimamanda Ngozi Adichie’s Americanah (2013) from a postcolonial perspective. It contends that a sense of identity for African diasporic individuals is still historically determined by the experience of slavery as well as current racial hierarchies. There are the psycho-traumas associated with forced migration, loss and cultural dismemberment that Phillips’ work explores; but there are also twenty-first century migration, trans-national mobility and racial self-consciousness explored by Adichie. Both narratives are analyzed in this research through Edward Said’s Orientalism, Frantz Fanon on racial psychology, Homi Bhabha on hybridity, Paul Gilroy and his Black Atlantic transnationalism and Gayatri Spivack with her perspective on subaltern agency. This comparative reading illustrates how identity is formed over time through colonial memory, cultural adaptation, border crossing, language acquisition, gender expressions and the politics of self-representation.

References

Adichie, Chimamanda Ngozi. Americanah. Alfred A. Knopf, 2013.

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. Routledge, 1989.

Bhabha, Homi K. The Location of Culture. Routledge, 1994.

Carey, Brycchan. British Abolitionism and the Rhetoric of Sensibility: Writing, Sentiment, and Slavery, 1760–1807. Palgrave Macmillan, 2005.

Clingman, Stephen. “Identity.” The Cambridge Companion to Postcolonial Literary Studies, edited by Neil Lazarus, Cambridge UP, 2004, pp. 69–85.

Fanon, Frantz. Black Skin, White Masks. Grove Press, 1952.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Harvard UP, 1993.

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Ledent, Bénédicte. Caryl Phillips. Manchester UP, 2002.

Parry, Benita. Postcolonial Studies: A Materialist Critique. Routledge, 2004.

Phillips, Caryl. Crossing the River. Vintage, 1993.

Procter, James. Dwelling Places: The Postcolonial Spaces of Caryl Phillips. Manchester UP, 2003.

Ramazani, Jahan. A Transnational Poetics. U of Chicago P, 2009.

Rice, Alan. Radical Narratives of the Black Atlantic. Continuum, 2003.

Said, Edward W. Orientalism. Pantheon, 1978.

Said, Edward W. Culture and Imperialism. Knopf, 1993.

Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, U of Illinois P, 1988, pp. 271–313.

Tolan, Fiona. “History, Memory and Cultural Identity in the Fiction of Caryl Phillips.” Journal of Commonwealth Literature, vol. 40, no. 3, 2005, pp. 45–63.

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Published

2026-02-22

How to Cite

Deena Nath, & Prof. Deepak Kumar Singh. (2026). Representation and Identity: A Postcolonial Comparative Study of Caryl Phillips’ Crossing the River and Chimamanda Ngozi Adichie’s Americanah. The Voice of Creative Research, 8(1), 110–119. Retrieved from https://thevoiceofcreativeresearch.com/index.php/vcr/article/view/253

Issue

Section

Research Article